Sebastian Faulks is one of my favourite authors; he's one of the ones whose books I scout for in second-hand book shops and charity shops. I deliberately make sure that I have my
own physical copy of the books, no library loans or kindle downloads there.
A Possible Life is the most recent of his books, from 2012, that isn't a James Bond or Jeeves add-on, but I only just (due to my preference for pre-loved, paperback editions) got my mitts on a copy.
Although Faulks has written books encapsulating the stories of various individuals, such as
A Week in December,
A Possible Life read a little more like a collection of short stories than a coherent novel, due to the unconnected nature of the various 'parts'. There are a couple of minor threads that appear in several stories, such as a particular statue, but none of the characters are directly linked, and the tales take place in several time-frames, including the future.
I'm not really a fan of short stories, as this book seems to be, because I often find that the characters aren't as fully developed as they are in your traditional novel. It takes a different kind of author, I suspect, to write a fully developed short story than it does to write a typical, 200 page novel. However, despite the difference in writing style to usual, I actually feel as though Faulks achieved short stories that actually left me thinking. It might be because I could spot themes common to his stories, like adultery, that gave them greater depth in my mind. It might be my bias towards liking Faulks' writings. Regardless of those potential influences on my attitude towards the story, I thoroughly enjoyed the book.
A Possible Life focuses on love stories. Never entirely conventional, sometimes of dubious morality, and not always of a romantic persuasion, Faulks frames the characters' relationships in the greater context of their lives, which somehow makes the works seem more realistic. The all-consuming love affair that leaves its fingerprints on your life long after it ends, the maternal feelings towards other peoples' children, the lingering 'what if' of a flame despite its unhappy ending - all these ideas are familiar, grounded in the way that people live their lives, rather than the unrealistic optimism of the 'happily ever after'.
Love stories like this seem to be increasingly
en vogue in recent years, but the idea is one that Faulks has been playing with throughout his works. Love is always more complicated than boy-meets-girl-and-falls-in-love, but rather than portraying these complications as obstacles in the path of true love, Faulks makes it clear, throughout
A Possible Life,they are sometimes what makes the love story worth telling. And, in the long run, worth reading.